|
|
|
Amigos w/ Common Interests
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
View Next Image >>
|
Category: Art |
|
|
Made a profound impression 2006 The moments of the body, its history… the cycles by which it passes, the traces which stick to it… The structuring ones, which belong to our personality, and those more volatile, ghostly of our hopes and fleeting dreams. Traces of what we were during a little time, of what we are, what we will remain, who we were and who we would have liked to be; of that we will not be, we do not want to be or who we can be, sometimes. Through this series, these interior states, through which everyone may undergo, are explored, as a kind of cycle in which we feel imprisoned, between moments of enthusiasm and moments of low spirit… works as reflections of our own diagrams of behaviours, reactions, and interior movements, meanders through which, we all sail. Improved by ageing, these images illustrate to what extent certain structures, are formed and remain rooted in us since childhood, in spite of the work of time, to update itself throughout life. Each one of us is presented as a form of an irreducible sum of perceptions, affects, emotions… as the many experiences of which our memory preserves accessible only one negligible part ; this experience treats this series, of the capacity of each to decode the body of the other, its history… through its body language, words and attitudes. Visible traces, invisible ones, all influence our way of being. Whether they return with regular interval, or in a random way, unsolved matters follow us… marking the body, they re-appear, sometimes rough, sometimes transformed. Fearing not being able to rid ourselves, as the traces touch our conscience, while we look around us to grasp them in order to distant ourselves more easily; indelible, they however confront us with the same feelings… whatever the intensity, they remain always present. Like a partition of a life’s music, expressing various emotions, this series arranges each image, through a rhythmic writing, in a cycle where despite being able to appear identical, all prove to be different.
|
|
|
|
|
|
| |
|
|
|
|